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Teaching an Old Writer New Tricks

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That's what I'm trying to do to myself: learn how to write an outline for a story before writing it. I'm more of an organic writer by nature, which means I tend to create the story as I go along. I know the beginning and end, along with a few points, when I start, but the rest is spontaneous. Unfortunately, what happens is that after I finish the first draft of a story, I look at it, toss it, and start over. I wouldn't say it's time wasted, but maybe I need to spend more time working out the story before I commit it to the computer. But will I be able to change my writing method without losing interest in the story? It's hard to say, but Paul's grief in this story is so compelling I can't tear myself away from it. Remind me not to create any more actors as characters; they're too demanding. (grins)

You'd think that since I already have a first draft of this story that the outline would be easy. But I'm changing a lot of plot elements, so I really am starting over with this story. As usual, putting words down is harder than having my teeth pulled. I'm currently up to Chapter Four; I'd like to get at least one chapter outlined per day, though maybe that's setting the bar too low. Then again, I need time to mull over this latest short story I want to work on as well.

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On March 3rd, 2007 03:39 pm (UTC), [info]makoiyi commented:
Well I'm about halfway through your previous effort :) Getting there.

Yes, to outline or not? My experience with Strangers is, because I have the outline the brain says, you've written the story. At least I think that's my trouble. So I don't want to write it anymore. When Iw rote Crystalia I would hand write the next chapter and then type it in as I went, so it was literally stream of consciousness. I didn't know where it was going and it did change direction a couple of times, but that didn't matter.

But everyone is different. Some folk need that structure. it obviously works against me. I'm treating Strangers as second draft when it's not.

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